Works Cited

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  • Allen, D. C. "Donne's Compass Figure" MLN 71 (1956): 256-7.
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  • Donne, John. Devotions Upon Emergent Occasions. Ed. Anthony Raspa. New York and Oxford: Oxford UP, 1987.
  • ----------- Essays in Divinity. Ed. Evelyn M. Simpson. Clarendon: Oxford UP, 1952.
  • ----------- The Sermons of John Donne. Eds. George R. Potter and Evelyn M. Simpson. 10 vols. Berkeley: U of California P, 1953-1962.
  • Ficino, Marsilio. Über die Liebe oder Platons Gastmahl (De Amore). Ed. Paul Richard Blum. German trans. Karl Paul Hasse. Hamburg: Felix, 1984. Freccero, John. "Donne's 'Valediction: Forbidding Mourning,'" ELH, 30 (1963), 335-76.
  • Gordon, D. J. The Renaissance Imagination. Collected and edited. Stephen Orgel. Berkeley: U of California P, 1975.
  • Henkel, Arthur and Albrecht Schoene, eds. Emblemata: Handbuch zur Sinnbildkunst des XVI. und XVII. Jahrhunderts. Stuttgart: Metzler, 1996.
  • Höltgen, Karl Josef. Aspects of the Emblem: Studies in the English Emblem Tradition and the European Context. Kassel: Reichenberger, 1986.
  • Klibansky, Raymond, Erwin Panofsky and Fritz Saxl. Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion and Art. Cambridge: Nelson, 1964.
  • Lederer, Josef. "John Donne and the Emblematic Practice". RES, 22 (1946): 182-200; rpt. in J. R. Roberts ed., Essential Articles: John Donne's Poetry. Archon Books, 1975: 107-121.
  • Linden, Stanton J., "Compasses and Cartography" JDJ, 3 (1984): 23-34.
  • Mâle, Emile, The Gothic Image. Trans. Dora Nussey. New York: Harper & Row, 1958.
  • Ovid. Metamorphoses. 2vols. Trans. Frank Justus Miller. Loeb Classical Library.
  • Panofsky, Erwin. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. 1939; New York: Icon, 1972.
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  • Pliny. Natural History. Ed. and trans. H. Rackham. 10vols. Loeb Classical Library.
  • Plotinus. The Six Enneads. Trans. Stephen Mackenna and B. S. Page. [http://classics.mit.edu/Plotinus/enneads.html]
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  • Randolph, Thomas. The Poems of Thomas Randolph. Ed. G. Thorn-Drury. London: Etchells and Macdonald, 1929.
  • Roebuck, Graham. "Donne's Visual Imagination and Compasses." JDJ 8 (1989): 37-56.
  • ----------. "Donne's Visual Imagination and Compasses." JDJ 13 (1994): 143-9.
  • Saintsbury, George. Minor Poets of the Caroline Period. 3vols. Oxford: Oxford UP, 1968.
  • Simonds, Peggy M. Iconographic Research in English Renaissance Literature: a Critical Guide. New York and London: Garland, 1995.
  • Scarry, Elaine, ed. Literature and the Body: Essays on Populations and Persons. Baltimore: The Johns Hopkins UP, 1988.
  • Sherwood, Terry G. Fulfilling the Circle: a Study of John Donne's Thought. Toronto: U of Toronto P, 1984.
  • Singleton, Charles S., ed. The Divine Comedy: Padadiso: Text and Commentary. Princeton: Princeton UP, 1975.
  • Stock, Brian. Myth and Science in the Twelfth Century: A Study of Bernard Silvester. Princeton: Princeton UP, 1972.
  • Sylvester, Joshuah, trans. The Divine Weeks and Works of Guillaume de Saluste, Sieur du Bartas. Ed. Susan Snyder. 2vols. Oxford: Oxford UP, 1979.
  • Tung, Mason. "From Personifications to Emblems: A Study of Preacham's Use of Ripa's Iconologia in Minerva Britanna": in Peter M. Daly, ed. The English Emblem and the Continental Tradition. New York: AMS, 1988: 109-150.
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  • Wither, George. A Collection of Emblemes. With introduction by Michael Bath. Aldershot: Scholar Press, 1989.

    Sources of Illustrations

  • Biedermann, Hans. Dictionary of Symbolism: Cultural Icons and the Meanings Behind Them. Trans. James Hulbert. New York: Meridian, 1994.
  • Boorstin, Daniel J. The Discoverers. Illustrated ed. 2vols. New York: Abrams, 1991.
  • Dahl, Svend. History of the Book. 2nd ed. Metuchen, N. J.: The Scarecrow, 1968.
  • De Givry, Emile Grillot. Illustrated Anthology of Sorcery, Magic, and Alchemy. London: Zachary Kwintner, 1991
  • Eisenstein, Elizabeth L. The Printing Revolution in Early Modern Europe. Japanese trans. Sadanori Bekku et al. Tokyo: Misuzu, 1987.
  • Exposition Catalogue of Christoffel Plantijn en de Iberische Wereld, 3 oct.-31 Dec., 1992. Museum Plantin-Moretus, Antwerp.
  • Ford, Brian J. Images of Science: A History of Scientific Illustration. London: The British Library, 1992.
  • Gombrich, E. H. Symbolic Images: Studies in the Art of the Renaissance II. 2nd ed. Oxford: Phaidon, 1978.
  • Haskell, Francis. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France. Oxford: Phaidon, 1980.
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  • ----------. The Subtext of Form in the English Renaissance: Proportion Poetical. University Park: The Pennsylvania State UP, 1994.
  • Parry, Graham. The Golden Age Restored: The Culture of the Stuart Court, 1603-42. Manchester: Manchester UP, 1981.
  • Raine, Kathleen. William Blake. London: Thames and Hudson, 1970.
  • Ripa, Cesare. Baroque and Rococo Pictorial Imagery: the 1758-60 Hertel Edition of Ripa's 'Iconologia'. New York: Dover, 1971.
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  • Yates, Frances A. Giordano Bruno and the Hermetic Tradition. New York: Vintage, 1969.
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